Two Tull ‘fanner’ ships strike the mining outpost on Etamin 5.
Blunt Force Saga project / conceptual updates
A new set of concepts from my planned graphic novel ’ The Blunt Force Saga’.
Sketch 1
The frozen planet of Aptol 7… sixty days at lightpusher speeds from the navbase, and its mining facility.
Sketch 2
The Imag regnum mining outpost on Etamin 5… closest operation to the navbase.
Sketch 3
Design study for the alien craft.
Sketch 4
Rough sketch of the first attack on Etamin 5.
Sketch 5
Preliminary sketch of the first attack on Aptol 7.
Sketch 6
The major mining facility in the dim light of Mizia.
Sketch 7
The Ore carrier Blackstar…first test of a home-grown defensive weapon on an asteroid debris field near Etamin 5.
Continued update posting of design work on The Blunt Force Saga
A new set of concepts from my planned graphic novel ’ The Blunt Force Saga’.
Sketch 1
Survey crew examines the discovered debris field of an overdue robotic survey craft. They fear two high speed objects seen earlier are to blame.
Sketch 2
The survey crew in their ‘Geeby’ hot footing it back home after their frightening look at the scattered debris.
Sketch 3
Another alien ship design.
Sketch 4
A light transport craft hovering on the typical g-beams at the cold and distant mining outpost on Aptol. 14 light years and 60 days at Lightpusher speeds from Tarsus Base.
Sketch 5
Another tactical holo display design being studied.
Sketch 6
New design for the Frigate Yarmouth.
Sketch 7
The previously unarmed ore hauler Blackstar along side with the first victim of its engineers homegrown defence weapon. Demo on last Watts Atelier live stream.
The Blunt Force Saga episode 1 sketches
As a twist on the usual Instagram / blog content I am inserting at regular intervals selected sequential development sketches of my current science fiction project. The blog will be presenting locations, equipment concepts and limited text highlights of this story about what appears to be… but is more than just an ordinary invasion.
Post Intro
This ongoing sci-fi novella… is a tale set in the year 2742, 208 lightyears distant on the fringe of the Orion spur. Humans have developed the Lightpusher drive enabling nearly a light year to be covered in four days. While fast… the distances still take a fearsome toll! A major Navbase and 15 exotic and valuable mining operations, spread across 30 lightyears of the fringe, struggle with unimaginable isolation and now… a fast moving and totally enigmatic swarm of unknown intent! What follows is an introductory chronological selection of concept and scene development sketches from: The Blunt Force Saga, episode 1…The coming of the Tull
Sketch 1
The opening scene… Navbase Tarsus 208 light years out in the year 2742
Sketch 2
Tactical holo display of the far flung mining settlements on the fringe. The sphere is 30 light years across!
Sketch 3
The Imag resource facility on Mirach B…the first violent incident will be here!
Sketch 4
The 70,000 ton Lightpusher driven ore carrier Blackstar… standing on its ‘G’ beams at the mining colony on Nissium.
Sketch 5
The Blackstar loaded and exiting Nissium for Tarsus 2.3 lightyears and 10 days away at lightpusher speeds. The trip will not be routine!
Sketch 6
The long reach pulse-wave scan generators on Tarsus that first detected the on-coming menace from across the rift. The distances were so vast that the scan took 61 days to go and return.
Sketch 7
The Navy frigate Yarmouth on a routine slow patrol of the fringe…the calm will soon end!
Miscellaneous Sci-fi and some Blunt Force Saga sketches
Post Intro
This group of (6) sketches are pure inventions with a couple hatched from the Expanse drama, one just an ominous fantasy and the rest early concepts from my novella ’ The Blunt Force Saga’ which you will see much more of, on down the road .
Sketch 1
An arrival and a background departure, from a mining port in the belt.
Sketch 2
A second sketch of a departure based more closely on the ‘Rocinante’.
Sketch 3
A fantasy city, about to be visited by a vague but not incidental menace.
Sketch 4
A concept sketch of The Blunt Force troopers.
Sketch 5
A ‘Blunt Force’ mech, just one of many emerging designs being developed.
Sketch 6
An early mech used as a demo subject in gouache.
A few more Star Wars sketches
As usual, inventions without reference by the pad in Prismacolor and ink.
Post Intro
This group ( 2 ) of sketches are based upon more recollections from Star Wars and the models I have built, plus one that is pure ironic fantasy.
Sketch 1
Nebulon cruiser..’ Into the Deep’. I built an un-detailed model of this out of foamcore… the overall shape is not difficult to draw, then just added fake greebly!
Sketch 2
Miscellaneous spacecraft designs.
Sketch 3
Gozanti cruisers… ‘Planet Fall’. One of these glides by in the background early in Episode 1
Sketch 4
Gozanti cruiser… ‘Across the Rift’
Sketch 5
‘A Face in the Ruin’ Love the idea of robots feeling puzzlement!
Star Wars memories & fantasies
The majority of these works are…as usual, inventions without reference.
Post Intro
This group of sketches are based upon recollections from Star Wars and the models I have built.
Sketch 1
Light saber fantasy one.
Sketch 2
Light saber fantasy number two in an appropriate setting.
Sketch 3
The walkers… not accurate but close enough.
Sketch 4
Star Destroyer ruins with the sun shelters of local scavengers.
Sketch 5
Sofa sketches of a transport (like the rusty one on Tatoine) and the old standard ‘Y’ wing. I built models of both and have a pretty good memory! Prismacolor and Ink
Hunter and Bear Encounter
Post Intro
These drawings were demos for a class exercise. The subject was a hunter and a chance encounter with an Alaskan brown bear on a hard scrabble beach. Four different compositions are shown along with the supporting sketches.
Sketch 1
A full page of bear gestures. I studied some photos and then put them away and tried to remember its most important characteristics. This keeps your sketches fresher.
Sketch 2
The next step was developing four compositions with little detail. Most are views from near the hunter, but one takes us out near the bear for a fresh viewpoint.
Sketch 3
A series of studies to get the hunter a bit more developed.
Sketch 4
I cleaned up the composition sketches with all the elements in place and a little nicer drawing.
Sketch 5
This is the final developed composition of the encounter. There is very real eye contact between the adversaries here!
Memories of Captain Nemo
Intro
The continuing theme for this blog will be along an instructional path. The process ( just my approach and thoughts…no more! ) of concepting environments, architecture, hardware, characters and the telling of a story. The majority, inventions without reference.
Post Intro
This group of sketches are on the topic of Jules Vernes ‘Twenty Thousand Leagues Under the Sea’. These are all inventions from memory with the extra advantage that I built a model of the sub and things tend to stick in your mind.
Sketch 1
A diver…not terribly accurate… but the huge helmet / backpack and skinny figure are the kinds of things to make note of; along with stirred up silt.
Sketch 2
Here are more divers, a crusted chest and of course the Nautilus. The composition has gotten more difficult and since done at one sitting without tracing paper and such… in need of some adjustments.
Sketch 3
Here the Nautilus is at anchor in the caldera of Volcania with some conceptual structures in the distance
Sketch 4
I was focusing on the figure of Captain Nemo here and decided to add the man at the wheel. The figures are descent, but the actual bridge arrangement is all wrong. Hey…its just a sketch!
Classic tale Castles
Intro
The continuing theme for this blog will be along an instructional path. The majority will be inventions without reference.
Post Intro
This group of sketches are on the topic of castles and classic tales. None of the concepts are revolutionary in any way, but our continuing challenge is to experiment with overall silhouettes of elements within our compositions to achieve the appropriate response from the viewer.
Sketch 1
This all started as I was thinking about the Count of Monte Cristo and The island prison Chateau D’IF. This first sketch though not bad, just did not have the character I was imagining. There are as well, no mountains nearby, and it just seemed too massive.
Sketch 2
This version is a bit closer to what I originally was envisioning. It has a very interesting silhouette and the shapes are more varied. It is still in the running for a final solution to the prison design problem.
Sketch 3
. This was the final solution for that element. Of particular importance…especially with vignettes, is the overall outside perimeter shape of the sketch. Let ‘air’ from the surrounding paper weave into the drawing so as to engage with the page. It is important that the overall shape is interesting and that secondary elements such as rocks and reflections along the shore are not over-emphasized and just ramble on. This could steal too much attention from the center of interest!
Sketch 4
Since I was on the subject I took a quick shot at the ‘Count’ himself. There are, since it is just an invention, some problems that working from a costumed model would solve, but it describes the character reasonably.
Sketch 5
Shakespeare has always been a rich field to find exciting and challenging scenes with fascinating characters. Here I jumped in with both feet on a difficult problem with strong gesture and three characters. Hamlet with the skull of Yorick…just unearthed, along with his friend Horatio and of course the gravedigger. The challenge is to have hamlet with skull, to not be overshadowed by the other figures or the distant castle. Even if you fail, such problems make you stronger at story telling. ‘Alas poor Yorick…I new him Horatio’! Yorick was the court jester when Hamlet was young. He is shown looking up at the skull since this is how he saw Yorick as a child.
Sketch 6
While on the topic of castles and classic tales, an invention of a Scottish fortification with a scattered column of returning clansman warriors.
Sketch 7
A somewhat romanticized version of the classic castle, typical of subjects I just sit down and start exploring with no certain direction in mind. The use of ‘candy’ colors removes much of the morbid overtone associated with the subject.
